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陳三立相關英譯

陳三立及其散文研究

Study on Chen Sanli and his Prose 

 

陳三立散文研究

Study on Prose of Chen Sanli




微妙的革命:清末民初的「舊派」詩人


The Subtle Revolution: Poets of the ‘Old  Schools’ during Late Qing and Early Republican China



微妙的        Subtle
革命            Revolution
清末民初    Late Qing and Early Republican China
舊派            Old  Schools’
詩人            Poets



陳三立散文    Chen Sanli  Prose




literature, so that they may develop a better insight into literary study. The course covers
topics such as selected readings from Zhuangzi, Wenxuan, Tang-Song classical prose,
Tongcheng prose, poetry-criticism poems, etc.
本科利用精讀方式,提高學生欣賞文學作品的能力。課程內容包括:《莊子》、《文選》、
唐宋古文、桐城古文、論詩詩選等項。




《散原精舍詩文集》"SanYuan JingShe Poetry Collection”
只翻到詩集(文集沒翻到)


詩文集
Poetry and Prose


詩文-Poetry、散文-Prose

李白詩文選講(ADING IN LEE BAIS POETRY AND PROSE)(大二以上可選). 本課程以現存李白詩文為基本教材,包括詩、賦,並書、序、表等諸雜文代表作品。 ...



Poems and Prose works

Appreciation: Painting, Poetry, and Prose 
http://www.books.com.tw/exep/prod/booksfile.php?item=F010763327


詩社
poetry association



陳三立散文研究

Study on Prose of Chen Sanli

Abstract
    Chen Sanli, a well-known poet and essayist in modern Chinese literature and
history, is one of leaders of Tongguangti' poets. Study on Chen Sanli, the academic
focus mainly on its poetry, political views, contacts, family history, poetry study clearly
unbalanced, tend to study poetry, and his prose rarely mentioned, or just picked at one
stroke.there were covered by the text of the poem known phenomenon. However,
through the relevant literature predecessors also found his prose is not difficult to do
with the development of the value of this system to read the original, ancient contrast,
seek to explore its origins; Discussed with the same period by reference to the text
articles for the History of History; Through classification, striving to grasp the
characteristics of their culture and his unique mentality, and for trying to explore
traditional Chinese culture gradually influence of the old aura facing modern society
changes its state of mind and the decision-making process }.;: },onfused mentality,
which sought a more comprehensive and ire-c'::pd. unc!erst,}s4i::g of Chen Sank his
personality and writings. Thi:, pafaer is dinsded i、}W four parts:the first part of the
introduction, pnr}ari.,;} on tl},e ;;eneral status of Chen Sanli research and analysis, guided
by the necESSiiy of prose Chen Sank out research and studies; Chapter 1 participants
will mainly discuss the origins of Chen Sanli prose, including family origin, the
tendency of copying Tongcheng people's points of origin,and the.endeavor of picking
the numerous family; The third part II, the main essay is西marily classification Chen
Sanli prose and the subject of feature content from reading the roughly be divided, and
Postscript comments, biographies, miscellany, and accordingly explore their respective
classification features and specific themes; Part N final chapter is to examine the
impact and style of Chen Sanli prose, a style can be roughly summed up as
follows:"pure elegant standard and forceful,"Second, Unrestrained wonderful towering
depressed and sentimental. Essays on the impact of Chen Sanli, mainly through some
notebooks, Poetry, Postscript and other scattered records to prove, and finally summed
up his prose has an indispensable in modern literature, and analyzing the text, which
was concealed from poetry were the causes.

陳三立散文研究Study on Prose of Chen Sanli

陳三立散文研究Study on Prose of Chen Sanli

 

 

ords:

Chen Sanli  Prose
"SanYuan JingShe Poetry Collection”

 

摘要
    陳三立是中國近代文學史上著名的詩人和散文家,是“同光体”的領袖人物。對
陳三立的研究,學術界主要集中在其詩歌、政治主張、交往、家族史等方面,詩
文研究明顯不平衡,大都傾向于研究其詩歌,對其散文鮮有提及,或者一筆帶過,
存在文名為詩名所掩蓋的現象。然而,透過前人的相關文獻記載又不難發現其散
文确實有著不可磨滅的价值。本文通過系統研讀原著,古今對比,力求探其源流;
通過參照与其同時代人的論述,以文論文,以史說史,試圖通過分類研究,力求
把握其文的特點及其獨特心態,并試著探尋對于接受傳統文化熏染的中國舊式士
大夫面臨近代社會巨變,其精神狀態、抉擇過程和迷茫心態,從而力求較全面深
入地認識陳三立其人其文。本文分四部分:第一部分為引言,主要是關于陳三立
研究現狀的大致梳理,導引出研究陳三立散文的必要性和研究方法;第二部分為
第一章,主要探討陳三立散文的淵源,包括家學淵源、取法桐城的傾向以及博采
眾家的努力;第三部分為第二章,是木文的主体,主要是分類研究陳三立散文及
其主題特征,從內容上大致將其分為讀書;k;,記、序跋評語、人物傳記、雜記四類,
并按此分類具休,:;討多:各自特征和主題:第四部分為最后一章,主要是探討陳三
立散文的風格和影響,其風格可以大体歸納為:一,“清醇雅健,格嚴气遒”;二,
態肆奇峻,沉郁感傷。關于陳三立散文的影響,主要是透過近人的一些筆記、詩
話、序跋等零星記載來論証,最后總結出其散文在近代文壇有著不可或缺的影響,
并且分析了產生文名為詩名所掩蓋現象的原因。


關鍵詞:陳三立散文《散原精舍詩文集》


  http://www.ceps.com.tw/ec/ecjnlsearchresult.aspx?st=a&sk=%e9%99%b3%e4%b8%89%e7%ab%8b&sc=t,a,k&so=y&sl=all&sloc=all&sat=all&sdo=all&pg_size=20&sys=&sms=&sye=&sme=&st1=&st2=&st3=&sf1=&sf2=&sf3=&sc1=&sc2=&smode=&dtype=1&sysid=1&sysl=CH

選取 序號 篇名 作者 刊名 卷期 出版年月 出版地區 頁次
1 碧湖雅集与陈三立早年在湖湘的交游 杨萌芽 洛陽師範學院學報(哲社版) 26卷4期 2007/08 中國大陸 69-72
2 陈三立《散原精舍诗文集》辑补 邱美琼 宜春學院學報 29卷3期 2007/06 中國大陸 93-94
3 若论新旧转茫然-论陈三立的文化新旧观 周薇;孙老虎 江漢論壇 2007卷3期 2007/03 中國大陸 133-137
4 陈三立的古文成就 胡迎建 江西財經大學學報 2007卷1期 2007/01 中國大陸 65-71
5 陈三立诗歌的意象 刘小成 江西教育學院學報 27卷6期 2006/12 中國大陸 108-111
6 新旧之争中的诗歌立场-陈三立的诗歌新旧观论 周薇;孙虎 甘肅社會科學 2006卷4期 2006/07 中國大陸 138-141
7 陈三立的政治新旧观兼及近代新旧之争 孙老虎 棗莊學院學報 22卷1期 2005/02 中國大陸 51-57















http://www.ceps.com.tw/ec/ecjnlarticleView.aspx?atliid=640069&issueiid=44327&jnliid=1982

江西教育學院學報>27卷6期
頁數:4 需求點數:16 電子全文:
系統識別號 640069
篇 名 论陈三立诗歌的意象
並列篇名 On the Images in CHEN San-li's Poems
作 者 刘小成(Xiao-Cheng Liu)
刊 名 江西教育學院學報
卷期/出版年月 27卷6期(2006/12)
頁次 108-111
資料語文 中文
摘要 陈三立作诗有意为奇,努力创造出生新的意象。他通过雷电、秃树、大月等意象,表现内心的孤寂和压抑。他通过落日、饥鼠、瘦犬等意象,表现民生的凋敝,表现对国事的担优。他诗中的意象带有个人的独特遭遇所造成的心灵创痛,也含有近代社会中文人普遍感受到的悲伤。

When CHEN San-li wrote poems, he worked hard to created new images, which made his poems appear strange. He wrote about thunder, bald tree and dreary moon to express his sadness. By describing setting sun, frozen hawks, thin dogs and escaping mice, he showed his sadness when facing the bleak reality. From the images in his poems, we can feel his sadness, which had something with his life. We can also feel the sadness of the poets at that time.

關鍵詞 陈三立,诗歌,意象;CHEN San-li,poem,image
CEPS分類 學科別>社會科學>教育學








http://www.ceps.com.tw/ec/ecjnlarticleView.aspx?jnlcattype=0&jnlptype=0&jnltype=0&jnliid=1870&issueiid=18409&atliid=307372


棗莊學院學報>22卷1期
頁數:7 需求點數:28 電子全文:
系統識別號 307372
篇 名 论陈三立的政治新旧观兼及近代新旧之争
並列篇名 Discussion on CHEN San-li's Political Notion and Neoteric Controversy on New or Former
作 者 孙老虎(Lao-Hu Sun)
刊 名 棗莊學院學報
卷期/出版年月 22卷1期(2005/02)
頁次 51-57
資料語文 中文
摘要 近代湖南新政,刺激着政治上的新旧之争,使保守与激进更趋于极端。以陈三立为代表的渐进变法思想,泯除新旧,逐步建立民主政治,立根于人才固本之论,其政治品格昭示近现代知识分子经世务实的品质。

In modem times, the New Deal in Hunan province stimulated the political controversy on new or former, and made the sticks-in-the-mud as well as the fire-eaters more and more extreme. CHEN San-li is the delegate of these who believe in a gradual renovation. He disregarded the controversy on new or former, proposed to gradually set up democracy. Based on the theory that persons with ability are the foundation of stabilization, his political character and morals indicated the latter-day intellectuals' character of being engaged in concrete matters relating to work.

關鍵詞 湖南新政,新旧之争,民主政治,人才观;the New Deal in Hunan province,controversy on new or former,democracy,conception on capable person
CEPS分類 學科別>人文學>綜合
學科別>社會科學>綜合
學科別>自然科學>綜合





http://www.ceps.com.tw/ec/ecjnlarticleView.aspx?jnlcattype=0&jnlptype=0&jnltype=0&jnliid=2699&issueiid=52859&atliid=873316


宜春學院學報>29卷3期
頁數:3 需求點數:12 電子全文:
系統識別號 873316
篇 名 陈三立《散原精舍诗文集》辑补
並列篇名 An Addendum of the Book of CHEN San-li's San-Yuan-Jing-She Poems and Prose works
作 者 邱美琼(Mei-Qiong Qiu)
刊 名 宜春學院學報
卷期/出版年月 29卷3期(2007/06)
頁次 93-94
資料語文 中文
摘要 陈三立诗文除见于《散原精舍诗集》、《续集》、《别集》外,尚有一些见诸报刊及他人诗文集者,李开军校点的《散原精舍诗文集》已收集不少。今辑出《散原精舍诗文集》中存目无辞的《思斋诗序》、《培风楼诗存序》,以及无目无辞的《画虎集》评语,以补不足。

Except collected in book of San-Yuan-Jing-She Poems works, the sequel book and left book, CHEN San-li's poems and prose is seen in newspapers and other persons' works, LI Kai-jun already collected some pieces in the book of San-Yuan-Jing-She poems and prose works. The author of this article collect some CHEN San-li's works, the Preface of Si-Zhai poems, Preface of Pei-Feng-Lou poems, and some statements of Hua-Hu works, using to supply insufficient.

關鍵詞 陈三立,诗文,辑补;CHEN San-li,poems and prose,an addendum
CEPS分類 學科別>人文學>綜合
學科別>社會科學>綜合
學科別>自然科學>綜合






論文名稱: 幽靈.風景.現代性:同光體個案研究
英文論文名稱: Specters, Spectacles, and Modernity:Case Studies on Tongguang-style Poetics



[ 摘要 ]
晚清的文學現代性問題已經被廣泛的討論,然而這樣的論題始終忽略掉對當時古典詩學的注意。以同光體為例,歷來的研究者多從擬古、復古及宋詩運動的脈絡下來談,而個人認為在某種程度上,同光體似已有著不同於傳統的近代特質,一種文學的自我更新,或是一種新穎的表述方式,這與中國從晚清走向民國的特殊時代性有關,亦是一種與中國現代性進程的對話,而本文的主要期望之一就是從同光體的轉型、新變中,理出一條朝向、體驗、回應現代性的線索。此外,本文亦未忽略同光體本身的古典操作中,有一套理解世界的方式,展示了抵抗現代性與世俗的另一面(「中體」),其繁複的程度不亞於現代性,以此追索,並能進一步解讀此時期「中體」的深層產生了什麼轉變。
故本文的理論架構分為兩個層次:一為闡釋「幽靈」與「風景」:暗含著一種對現代世界的理解,即末世、傷悼甚至迴光返照,挽歌式的召喚傳統 ; 二為解讀現代性:是在現代世界中的文化、文學及政治等種種轉出傳統的方案。
  由於同光體詩人眾多,本文以個案研究的方式,以同光體四個代表詩家作展開,分別為陳衍、鄭孝胥、沈曾植、陳三立,他們的文本各自展現了不同的幽靈、風景與現代性。
  本文篇章安排如下,第一章為緒論,主要闡明本文的理論架構 ; 第二章以陳衍《石遺室詩話》為對象,著重處理其詩話與報刊的關係,及所展示的文學、權力與傳播的風景 ; 第三章以鄭孝胥的遺民敘事為主題,以及詩作及相關材料來談鄭孝胥如何成為現代情境中的遺民 ; 第四章處理沈曾植的學術風景與其學人之詩的關係 ; 第五章則關注陳三立詩中所使用的意象,如何展示自我與世界的層層交涉,並使得其詩有著「近代的感覺」 ; 第六章為結論,再回到同光體,整體的來看其幽靈、風景與現代性。
[ 英文摘要 ]
The modern literature questions of the late Ching-dynasty have been discussed extensively. However, these topics always ignored the awareness of classical poem. Take Tongguang-style Poetics for example, the researchers discussed that under the circumstance of revival ancientry and Sung-Poetry Movement. Nevertheless, Tongguang-style Poetics seems to have the modern characteristics to some degree, a self-update literature or a novel expression method, far from the traditions which is related to the era peculiarity and the discussion of the modernity . The thesis focused on the revolution of the Tongguang-style Poetics, hopes to find the directional, experienced and responsible to modernity clues. Besides, this articles displays the another aspect (“Chinese Tradotional System”), resisting the modernity and substance, the complicated degree is not easier than that of the modernity. Taking it as clues, which change in the deep value of “Chinese Tradotional System” during this time further can be analyzed.
The framework of the thesis are divided into two levels, first one discuss “Specters”and “Spectacles”, which implies the understanding of the modern world:the end of the world, sorrowful, the last radiance of the setting sun and evoking traditions. The second one explains the modernity, including the culture of the modern world, literature and politics and many schemes that get rid of the traditions. Due to so many poet on Tongguang-style Poetics, the case-studies on four representative poem articles, writtern by Chen Yen,Jheng Xiaoxu,Shen Zengzhi and Chen Sanli. They spreaded out the Specters, Spectacles and Modernity individually.
The contents of this thesis are outlined. In chapter 1, the introduction and the frameworks of the thesis are described. In chapter 2, the relations between Chen Yen's Shiyishi Poetry Comments and the press,which display the literature, influence and the dissemination are investigated. In chapter 3,discussion on Jheng Xiaoxu , who is Qing oyalist in modern situation. In chapter 4, the relations between Shen Zengzhi’s academic research and learned poetry are described. In chapter 5, the inner meaning of Chen Sanli’s poetry are of interest, how to exhibit that oneself and the world layer by layer,and make his poetry with the modern feeling. In chapter 6, the conclusions are given that go back to Tongguang-style Poetics, to see the Specters, Spectacles and Modernity in the whole system.






晚清的文學現代性問題已經被廣泛的討論,然而這樣的論題始終忽略掉對當時古典詩學的注意。以同光體為例,歷來的研究者多從擬古、復古及宋詩運動的脈絡下來談,而個人認為在某種程度上,同光體似已有著不同於傳統的近代特質,一種文學的自我更新,或是一種新穎的表述方式,這與中國從晚清走向民國的特殊時代性有關,亦是一種與中國現代性進程的對話,而本文的主要期望之一就是從同光體的轉型、新變中,理出一條朝向、體驗、回應現代性的線索。此外,本文亦未忽略同光體本身的古典操作中,有一套理解世界的方式,展示了抵抗現代性與世俗的另一面(「中體」),其繁複的程度不亞於現代性,以此追索,並能進一步解讀此時期「中體」的深層產生了什麼轉變。
故本文的理論架構分為兩個層次:一為闡釋「幽靈」與「風景」:暗含著一種對現代世界的理解,即末世、傷悼甚至迴光返照,挽歌式的召喚傳統 ; 二為解讀現代性:是在現代世界中的文化、文學及政治等種種轉出傳統的方案。
  由於同光體詩人眾多,本文以個案研究的方式,以同光體四個代表詩家作展開,分別為陳衍、鄭孝胥、沈曾植、陳三立,他們的文本各自展現了不同的幽靈、風景與現代性。
  本文篇章安排如下,第一章為緒論,主要闡明本文的理論架構 ; 第二章以陳衍《石遺室詩話》為對象,著重處理其詩話與報刊的關係,及所展示的文學、權力與傳播的風景 ; 第三章以鄭孝胥的遺民敘事為主題,以及詩作及相關材料來談鄭孝胥如何成為現代情境中的遺民 ; 第四章處理沈曾植的學術風景與其學人之詩的關係 ; 第五章則關注陳三立詩中所使用的意象,如何展示自我與世界的層層交涉,並使得其詩有著「近代的感覺」 ; 第六章為結論,再回到同光體,整體的來看其幽靈、風景與現代性。 





The modern literature questions of the late Ching-dynasty have been discussed extensively. However, these topics always ignored the awareness of classical poem. Take Tongguang-style Poetics for example, the researchers discussed that under the circumstance of revival ancientry and Sung-Poetry Movement. Nevertheless, Tongguang-style Poetics seems to have the modern characteristics to some degree, a self-update literature or a novel expression method, far from the traditions which is related to the era peculiarity and the discussion of the modernity . The thesis focused on the revolution of the Tongguang-style Poetics, hopes to find the directional, experienced and responsible to modernity clues. Besides, this articles displays the another aspect (“Chinese Tradotional System”), resisting the modernity and substance, the complicated degree is not easier than that of the modernity. Taking it as clues, which change in the deep value of “Chinese Tradotional System” during this time further can be analyzed.
The framework of the thesis are divided into two levels, first one discuss “Specters”and “Spectacles”, which implies the understanding of the modern world:the end of the world, sorrowful, the last radiance of the setting sun and evoking traditions. The second one explains the modernity, including the culture of the modern world, literature and politics and many schemes that get rid of the traditions. Due to so many poet on Tongguang-style Poetics, the case-studies on four representative poem articles, writtern by Chen Yen,Jheng Xiaoxu,Shen Zengzhi and Chen Sanli. They spreaded out the Specters, Spectacles and Modernity individually.
The contents of this thesis are outlined. In chapter 1, the introduction and the frameworks of the thesis are described. In chapter 2, the relations between Chen Yen's Shiyishi Poetry Comments and the press,which display the literature, influence and the dissemination are investigated. In chapter 3,discussion on Jheng Xiaoxu , who is Qing oyalist in modern situation. In chapter 4, the relations between Shen Zengzhi’s academic research and learned poetry are described. In chapter 5, the inner meaning of Chen Sanli’s poetry are of interest, how to exhibit that oneself and the world layer by layer,and make his poetry with the modern feeling. In chapter 6, the conclusions are given that go back to Tongguang-style Poetics, to see the Specters, Spectacles and Modernity in the whole system.










A Study Of Chen San1i’s Poetics
陳三立詩學研究

 

                          AB STRACT
    Chen sanli,the study object of this thesis, is a famous poet of
tongguangti,a brilliant scholar and poem critic at turn of the last
century,now and then involve himself in the public affairs of his times.He
summarize the poetics theory of traditional ,sum thr theory of poem in
tang and song dymasty,communicate poem and learning,and set up a new
esthetics of old poem.Chen sanli acquire a great achievement in the old
poem,but the study of his poem and poetics is very weak now .When the
new poem spring up,his poem and poetic theory was covered with
criticism. we are study Chen sank poem and poetic theory,because the
sprirt of his poetics almost will be forget.


    This thesis was divided into four chapter.Chen sank `s poem and
poetic theory is the focuse on this thesis.In the thesis,the writer study
detailedly the contemt,thought and style of his poem.Baseing on that, the
writerthen study the poetic theories of plainting disturbance and saying
ambition(感憂言志),bring up Qi(養气),heaavy bone and spirit cold(骨
重神寒),style and  lingering charm(格韻說),comparing to other poetic
in his times,in order to find a new poetic theory.


    In first chapter, the writer makes a clear introduce to his family
background and life ,thought of learning and politics,and sum his
specialty of his learning.Baseing on this,the writer go on to study his
poem and poetic theory.In the second chapter,the writer classify all the
poem,and emphases analysis his poems about politics,aclamity and
zhenlu(晴廬)。All of his poems have mach great thought ,such as holy in
mind and act out(內圣外王),the root of civilian and domanting.Chen
sanli's poetic theory has himself trait,.His notion and idea of poetic are
really inspring and exciting,and will definitely channel the future creative
and critical efforts about Chinese literature.The third chapter study Chen
sanli's poetic theory ,which is made up five topic for discussion.They are
the origin of poetic,  plainting disturbance and saying ambition(感憂言
志),bring up Qi濟气),heaavy bone and spirit cold(骨重神寒),style and
lingering charm沸韻說).The writer not only advert expose the tradtion
of poetis,but also compare to other poetic theory of his times. To do all of
these ,the writer want to find the trait of Chen sank poetic theory.In the
last chapter,the writer is emphasis discuss the different idea between the
old and new poem,and want it benefit to the building to the new type of
literature .The writer think Chen salli's poetic theory will be contribute to
the new poems developing a new type of literature.
    To sum up,The study chiefly explores the intellectual and cultural
legcy of Chen Sanli's poetics,it is necessary to trace to the larger context
of tranditions in Chinese philosophy and culture,
Words:Chen sanli;poem; the theory of poetic ;The end of the Qing
dynasty;Tongguangti;The poetics of the song dynasty.

 

內容提要
    清末民初的“同光体”,處于中國古典詩歌長鏈尾部,其詩學理論的性格是為
整個詩學傳統擔當總結之責任。無論是調和唐宋,溝合詩与學,還是經世致用,
創發新變,作現代轉型之努力,都有突出的表述。但是在近代文學史与文學批評
史的研究中,對整個“同光体”及其具体詩人的研究,都顯得十分薄弱,政治傾
向化的論爭多于詩學素心之研究。五四新文學的迅速崛起,將其理論所內蘊的新
文學傾向掩埋于白話文學与平民文學之下。鑒于以往文學史對晚清“同光体”詩
學之忽視,也鑒于文學史對“同光体”与新文學關系之誤解。本論文旨在研究陳
三立文學世界及其思想世界,力求還原歷史之一段真實心靈,兼之對“同光体”
詩學一般特征的考察,以求發覆其中被遺忘的詩學精神
    論文分四章,以陳三立的詩歌論、詩學論為研究中心,由陳三立詩歌內容、
思想与藝術特色的考察,進而深入到對其詩學理論的總結,并注重与近代宋詩派、
同時代詩人詩論比較,從而見出“同光体”与近代詩學的一般特點。
    第一章是對陳三立生平經歷、學術思想与學術特點、政治思想的介紹。在對
陳三立生平事跡的介紹中,基本勾畫出家學、湖湘學術和政治實踐活動在其政治
思想与學術思想的形成過程的作用。對其學術思想的介紹,主要陳述了經學、諸
子學、程朱理學与陽明學、史學四個方面的成就,并總結其學術特點是:述淵源、
察源委;觀會通、經世用;講心

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